THE RACE WAR OF BLACK AGAINST WHITE
From the Sydney Morning Herald, May 20, 1995
The longest war America has ever fought is the Dirty War, and it is not over. It has lasted 30 years so far and claimed more than 25 million victims. It has cost almost as many lives as the Vietnam War. It determined the result of last year’s congressional election.
Yet the American news media do not want to talk about the Dirty War, which remains between the lines and unreported. In fact, to even suggest that the war exists is to be discredited. So let’s start suggesting, immediately.
No matter how crime figures are massaged by those who want to acknowledge or dispute the existence of a Dirty War, there is nothing ambiguous about what the official statistics portray: for the past 30 years a large segment of black America has waged a war of violent retribution against white America.
And the problem is getting worse, not better. In the past 20 years, violent crime has increased more than four times faster then the population. Young blacks (under 18) are more violent than previous generations and are 12 times more likely to be arrested for murder than young whites.
Nearly all the following figures, which speak for themselves, have not been reported in America:
These breathtaking disparities began to emerge in the mid-1960s, when there was a sharp increase in black crime against whites, an upsurge which, not coincidentally, corresponds exactly with the beginning the modern civil rights movement.
Over time, the cumulative effect has been staggering. Justice Department and FBI statistics indicate that between 1964 and 1994 more than 25 million violent inter-racial crimes were committed, overwhelmingly involving black offenders and white victims, and more than 45,000 people were killed in inter-racial murders. By comparison 58,000 Americans died in Vietnam, and 34,000 were killed in the Korean war.
When non-violent crimes (burglary, larceny, car theft and personal theft) are included, the cumulative totals become prodigious. The Bureau of Justice Statistics says 27 million non-violent crimes were committed in the US in 1992, and the survey found that 31 per cent of the robberies involved black offenders and white victims (while only 2 per cent in the reverse).
When all the crime figures are calculated, it appears that black Americans have commited at least 170 million crimes against white Americans in the past 30 years. It is the great defining disaster of American life and American ideals since World War II.
All these are facts, yet by simply writing this story, by assembling the facts in this way, I would be deemed a racist by the American news media. It prefers to maintain a paternalistic* double-standard in its coverage of black America, a lower standard.
* Note by Simon Sheppard: Paul Sheehan, like George Orwell in Nineteen Eighty-Four, writes skillfully and accurately but gets the gender wrong. Maintaining a double-standard (ambivalence, Malign Encouragement) and controlling information are female strategies. As Sheehan intimates (“not coincidentally”), many of the crimes he details are the product of alien influence. It was a Jew who invented the term genocide:
‘In order to weaken the spiritual resistance of the national group, the occupant attempts to create an atmosphere of moral debasement within this group. According to this plan, the mental energy of the group should be concentrated upon base instincts and should be diverted from moral and national thinking. It is important for the realization of such a plan that the desire for cheap individual pleasure be substituted for the desire for collective feelings and ideals based upon a higher morality.’
Part of Lemkin’s original 1944 definition of genocide, from Axis Rule in Occupied Europe: Laws of Occupation, Analysis of Government, Proposals for Redress pp.89-90. Or the following, in Neal Gabler, An Empire of Their Own: How the Jews Invented Hollywood (pp. 6-7, quoting Isaiah Berlin):
‘The Hollywood Jews would cope through “a sustained attempt to live a fiction, and to cast its spell over the minds of others.” What is amazing is the extent to which they succeeded in promulgating this fiction throughout the world. By making a “shadow” America, one which idealized every old glorifying bromide about the country, the Hollywood Jews created a powerful cluster of images and ideas – so powerful that, in a sense, they colonized the American imagination. No one could think about this country without thinking about the movies. As a result, the paradox – that the movies were quintessentially American while the men who made them were not – doubled back on itself. Ultimately, American values came to be defined largely by the movies the Jews made. Ultimately, by creating their idealized America on the screen, the Jews reinvented the country in the image of their fiction.’
|Abigail||Aaron Lopez, Moses Levy, Jacob Franks|
|Crown||Isaac Levy, Nathan Simpson|
|Four Sisters||Moses Levy|
|Anne & Eliza||Justus Bosch, John Abrams|
|Prudent Betty||Henry Cruger, Jacob Pheonix|
|Hester||Mordecai & David Gomez|
|Elizabeth||Mordecai & David Gomez|
|Antigua||Nathan Marston, Abram Lyell|
|Betsy||Wm. De Woolf|
|Polly||James De Woolf|
|White Horse||Jan de Sweevts|
|Expedition||John & Jacob Roosevelt|
|Charlotte||Moses & Sam Levy, Jacob Franks|
|Caracoa||Moses & Sam Levy|